From a story by Christopher Nolan and David S. One aspect within the Superman mythos not often enough explored for mainstream audiences is the character's desire to know more of his origins and the dilemma over his foreignness.
There's also something inspiring in seeing what we previously thought of as perfect as only being good at hiding their inadequacies. Nevertheless, we're here now, and filmmakers are unafraid to posit our heroes as heavily flawed individuals with quandaries, damaged goods who must overcome their imperfections and personal dilemmas to aspire for greatness. Then again, maybe it's not that much a surprise, all things considered.
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The only real surprise is that it took movie studios this long to finally give comics the respect they deserve. Today, the movie superhero is no longer a comic caricature, but a flesh and blood character, almost human, struggling with grave moral demands that adults can appreciate.įrankly, these more thoughtful aspects to comic-book superheroes come as little surprise, they're familiar themes that have been enjoyed by devoted fans and have already been acknowledged and discussed by academics for decades. Arguably, Ang Lee's largely disappointing ' Hulk' and Bryan Singer's excellent ' X2: X-Men United' were really the first films to touch on these themes however, Nolan took it further, went deeper and traveled into darker territory. They're now taken with a more serious, often quite dark and very much post-modern tone, interestingly exploring the psychology that makes up a superhero and how he handles the weight of responsibility as protector of humanity's own path towards destruction. Christopher Nolan's ' Dark Knight' trilogy has had a tremendous impact on the way filmmakers and studios now approach comic book adaptations.